Colin Marston Queens, New York
music for solo instruments, electronic chamber, and full orchestra
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Porous Resonance Abyss
by Krallice
supported by 13 fans who also own “Carnage”
Some bands have struggled since the old spicy cough came along, but Krallice have absolutely flourished, releasing 5 albums in the last 3 years. It’s one thing to be prolific like they have, but one could argue that these last few albums are among the bands best work to date. So when they went and dropped this album on us, It’s fair to say that I was rather fucking excited. And my god is it good. Even when writing synth heavy instrumentals they know how to draw the listener in. A special band
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Crystalline Exhaustion
by Krallice
supported by 13 fans who also own “Carnage”
Krallice reinventing their sound while still retaining their signature quirks.fantastic album, a wavering, beautiful mess that engulf the listener.
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Tedium Torpor Stasis
by Indricothere
supported by 13 fans who also own “Carnage”
"Technical Sloom" hits the nail on the head. Lack of vocals, artificial drums, technicality despite the slow pace, outlandish synth-y sounding solos, extensive running time, no release for the tension... yes, this is carefully engineered to make everyone feel sick. I like it.
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featured on Bandcamp Radio Aug 30, 2016
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This elegantly composed chamber album from Ellen Tsai has a playful feel, almost like the soundtrack to a storybook.
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Silhouettes
by Justina Jaruseviciute
A stirring set of chamber music from this composer from Berlin, which seem to capture hope & sadness at once.
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Unfathomable Existence
by Groeth
supported by 12 fans who also own “Carnage”
even when one is tired of things like tempo, notes, riffs, etc; the best kind of noise - of which, this is a great example - always has a sense of dynamics. if you like noise that does more than just blow your brains against the wall for it's entire run time, this choice will serve you well!
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